Thursday, January 28, 2010

First Insomnia review

The first review of the new Mastermind "Insomnia" album is online... I was quite pleased! Hopefully others will notice this album and share some of these sentiments. Mastermind deserves a wider audience!

http://www.imhotep.no/?did=9095929&aid=9069486

Nice.

Friday, December 18, 2009

MASTERMIND signs with LION MUSIC!!!

Hey, today is my birthday! Yay me!! I have chosen this auspicious occasion to make a very big announcement…

MASTERMIND has signed with LION MUSIC (Finland) to release the long awaited INSOMNIA album!! The album will be released on February 19th 2010. Featuring Tracy McShane (vocals), myself (guitars, synths, bass), my brother Rich (drums), and Jens Johansson (keyboards), I am really happy to finally see this album get released properly.

Read more here: http://mastermindband.com/blog/?p=30

Visit lionmusic.com for more information about the release.

Happy birthday indeed! A wonderful way to start a new year!

Thursday, December 17, 2009

Strings on Fire update

I was pleased to see I made the first cut in the Strings on Firecontest. Like I've said before, I don't take these contests seriously in the competitive sense and certainly don't consider myself a state-of-the-art shredder, but it feels nice anyway. Cool.

Monday, November 23, 2009

Firebird Strings On Fire

Another take of the Strings On Fire track (see previous entry) playing what else? The mighty Gibson Firebird V... there's nothing else like it!

http://www.youtube.com/watch?v=wXXr4d7SgBE

Sunday, November 22, 2009

Strings On Fire

Here's another video for Truth In Shredding. I don't take the contest aspect of it too seriously, but enjoy the challenge of playing over the unfamiliar. Kind of rough & tumble... I just got home from a bar gig and decided to give it a shot before the deadline, so in just under the wire. If it wasn't for the last minute nothing would get done. Enjoy!

http://www.youtube.com/watch?v=Nf8Q32t_h7w

Wednesday, September 30, 2009

Early Mastermind albums

The early Mastermind albums are now streaming at bandcamp.com. If you aren't familiar with these I encourage you to go listen. Progressive rock power trio with lots of blazing guitar & guitar synthesizers. Enjoy!

MASTERMIND Volume One

MASTERMIND Volume Two "Brainstorm"

My playing & writing has evolved over the years, but I think these recordings have stood the test of time. As you might expect, all the guitar is my '68 Gibson SG and Marshall JCM800. More to come!

Monday, August 31, 2009

Shred this...

I made this video for Truth in Shredding which is a guitar-centric web site run by a fellow named Laurie Monk. It's for a guitar contest called "Shred this..." where a bunch of guys (and girls) play over a simple backing track and strut their stuff. The winner gets some kind of prize and bragging rights... maybe even a trophy!? lol ;) Actually, it's really mostly about networking, but it's a fun idea anyway.

I've never entered a talent contest before for a plethora of reasons... so I looked at it as more of a challenge than a competition. Being involved with a community of guitarists seemed like a nice idea and I thought 'well, if I'm so cool I should be able to do this'... I also thought it would be a good way to launch my new youtube channel, or at least have something up on it for now anyway (youtube.com/billberends), so here it is, shred this....

http://www.youtube.com/watch?v=TMroSLqbxd4


My real goal was to see if I could make some kind of video with the limited means available to me... i/e no video camera, so I rigged up a webcam and gave it a go. Some of the other entries are obviously overdubbed or punched in and that's not *truth* in shredding as I see it, but I don't think there are actually any rules. I just plugged into my little Fender Champ and played straight thru, so it is what it is... me & my guitar in the wee hours, a little buzzed, and tired of dicking around with computers. But I had to make the deadline! Yes, I'm something of a slacker... if it wasn't for the last minute nothing would get done.

As for shredding... I never really liked that term but have come to accept it in the vernacular. There are some interesting entries from what I've seen, then a slew of Satri-vai-howe type stuff. Pretty much what I think of when I hear the word shredding. I prefer a more natural stream of consciousness 'I-don't-practice-scales-all-day' kind of playing and was never big on two hand tapping, or what Frank Zappa referred to as "stunt guitar". I also like a more natural guitar sound with just a bit of tube grit and a touch of reverb. I just play a guitar like it was originally meant to be played... old skool. It is interesting to note I didn't see many other Gibson players. Mostly Ibanez & Strats.

Anyway, it's a cool website with lots of guitar info, news, links, and players. The Shred This Competition is a good clean fun way to draw some attention to the site, so check it out.

ps1: Bb at the end of the video refers to the key of B-flat, *not* a guitar friendly key. That might explain the dodgy bits. :P

ps2: thanks to Cheryl the flute mistress for inspiring the webcam idea and posting often enough to get me off my butt.

ps3: if anyone wants to donate a digital video camera you'd see a lot more video from me! Seriously... just a thought. :)

Tuesday, July 14, 2009

Session work

A few months ago I mentioned on the Mastermind blog I was up for for some studio collaborations. Studio production and recording is my day job so to speak, and outside of Mastermind I must've recorded and mixed a thousand bands in various studios including my own over the past few decades. Now with the internet it's possible to work with people in distant places, so being somewhat behind the bleeding edge I am just now getting 'round to that sort of thing. Hooray for the interwebs! Here are some projects I've worked on recently...

First up, a guitar solo I did for keyboard wiz kid Fab Muratori in Italy, aka Fab Shiver, on his tune called Streams. A nice mellow, new agey track, but with some smokin' soloing from both myself and Fab... a little bit in the vein of Mastermind's Excelsior! perhaps. That may sound contradictory, but somehow it works. I like it and hope to be working with Fab again in the future. Go have a listen.

I just finished some mixing, editing, and guitar work for Luna Jade, a fantastic female singer in Florida. Here she's posted some preview clips of her tune called A Symphony of Angels as mixed by yours truly. The editing involved was simply shortening and extending the track for radio or DJ use, but the composition and music is all Luna. I added some rhythm guitar as I heard it and a bit of a solo on the extended mix which turned out really nice. A fantastic tune, did I mention Luna can really sing? Go check her out.

Currently I'm working on a few tracks for other artists (along with my own music) and I'll post links when they become available. If you would like to have me mix, master, produce, or play on one of your projects, get in touch and let's see what we can work out. My fees are quite reasonable and I enjoy taking on an interesting challenge.

Saturday, June 13, 2009

It's that time of year again

Truss rod adjustment time. It comes around twice a year in the Spring and Fall. Now the rainy season has been upon us for a few weeks the effects are starting to appear. I first noticed my long scale bass buzzing around the lower frets. Next, the Firebird was buzzing on the open D string and first fret. No coincidence as these two have the longest, slimmest necks of all my instruments. I haven't played either for a little while so the change seemed to come on somewhat dramatically. Huh?! WTF? Oh right... it's been raining for two weeks. I learned to recognized this effect early on in my guitar playing career, but it is still a pain in the butt if you pick up a guitar to play and there's a bzzzzz that wasn't there a few days ago.

The reason for this is humidity of course. As it becomes consistently higher like it does near the Jersey shore (oppressively humid in the warm season), the wood in the neck and fingerboard begins to swell giving the neck a slight backward bow causing the strings to lengthen and lower. On my instruments with beefier 50's style necks like the SG Special and Melody Maker, the effect is less immediate. Even though my old '68 SG has quite a narrow neck, it is not as shallow as the slim 60's profile of the Firebird, so it may not need adjustment for a while. Haven't played the 335 in a week or so, but I'm sure it will be affected soon being a slim 60's profile.

To the seasoned player all this surely comes as no surprise, but for the less experienced, you may just pick up your axe one day and go "huh? It played fine yesterday, wtf?" If your action is high you may never experience string buzzing, but it will affect your intonation regardless of the action. Since Gibson guitars have mahogany necks they may be more sensitive to humidity than hard maple necks which have tighter grain, thwarting humidity more effectively (I would imagine, you'd have to ask a Fender player).

For some, making a truss rod adjustment themselves is unthinkable and prefer to take their axe to a pro for an adjustment. It really isn't that difficult! If you're even slightly serious about playing, you should learn this stuff. Also, when the truss rod is adjusted, quite often you'll need to tweak your bridge height and intonation as well. Although you would think in theory if the neck is tweaked back into position, the rest would fall back into place, that's not always the case. These adjustments are simple as well once you know how to do them. I would love to have a full time guitar tech to deal with this stuff, but not being the case I have always done all my own guitar work.

To offer some advice from my experience, just be careful and go slowly. It often takes 12 to 24 hours for a truss rod tweak to take effect, so don't over do it! I usually find a quarter turn of the nut is enough, but on newer guitars which seem more susceptible to humidity changes, you may need a full half turn. But do it in two stages to be sure you don't go too far... quarter turn looser, maybe another quarter turn the next day if need be.

If you are traveling or use your guitar in a lot of different places, sometimes you need to adjust more often. For years I just left the truss rod cover off of my SG and tweaked it as often as needed... but that is ugly I suppose and I've become more conscious of that in these times of vintage guitars and their 'purity' lol... be careful not to lose the little cover screws, they're a pain in the butt to find on the carpet and a hassle to get proper replacements.

On a side note, Gibson guitars are a joy to adjust with a full size nut on the truss rod end. Asian imports (and Fenders) have allen key adjustments which are a royal pain... firstly, just finding the proper size allen wrench is a challenge (since different brands use different sizes) and, they are very easy to strip out. If your truss rod nut is really tight, chances are a steel wrench will easily strip out the soft brass bolt rendering it useless. Nightmare! Gibson TR nuts have greater surface area for a socket to grasp, sockets are more readily available in the average tool kit than metric allen keys (tho' you should carry one with your guitar), so yet another reason for my Gibson preference (Orville Gibson invented the truss rod FYI).

To wrap this up, obviously in the Fall the opposite is true. As things dry out and your guitars are living in a drier, heated environment, the wood shrinks and you need to tighten the truss rod as the neck begins its bow forward. The symptoms of this are higher action and the intonation going out. Back to tweaking, I have recordings to make!

Remember: righty tighty (Fall), lefty loosey (Spring)

Sunday, May 24, 2009

Kjaerhus VST plugins

Just a little tip for folks using VST plugins for digital recording. I use lots of them and have tried a million more it seems. I download all the free ones I can find to try out when I can find the time, but quite honestly most of them suck. For most people Waves is the gold standard of plugins and they do make some great (expensive) stuff, but I've never been totally happy with any of their compressors.

In all honesty *nothing* can replace a good hardware compressor IMO no matter how well it models an LA2 or 1176 etc... hell, even a cheap dbx 266 sounds better than most plugin compressors to my ears! But digital is here to stay so it is what it is.

Recently I've been trying out the FREE Kjaerhus Classic compressor and EQ and I have to say I really like the way they sound. Very smooth and analog... makes me wonder what their retail releases sound like. Anyway, try them out for yourself, you may be pleasantly surprised, I know I was... kjaerhusaudio.com/download

ps: for Windows OS only.

Happy mixing!